adultnero.blogg.se - Lace patterned translucent paper

I soak a plaster bat in water to keep the humidity constant for a day (3). For this plate I only use white porcelain slip, but one can add oxides or stains for different colors. I start in the morning by preparing a basic porcelain slip. Starting with absolute grids frees one to work with infinite possibilities.Ĭonstructing a plate takes an entire, uninterrupted working day.I begin by preparing my tools: three or four plastic bottles with different size nozzles, a jug of porcelain slip, a fine silk cloth, a firm cotton cloth, a graphic print, a brush, a wooden skewer, and ten pre-made and high-fired porcelain cones (2). In short, the patterns reflect the geometry of life and nature’s tendency to construct complex geometries on micro and macro levels such as DNA strands and stellar configurations. The geometry in my art is inspired by this aperiodic tiling pattern and Euclidian lace. In his writing/research, I encountered pentaplexity and realized, “this is it.” In these grids, the patterns of pentagons do not tile regularly, but aperiodically. I have always been interested in geometry, and responded strongly to Roger Penrose’s aperiodic patterns when I first saw them 15 years ago. In today's post, an excerpt from the Ceramics Monthly archive, Christina walks us through the process of making her delicate, porcelain slip platters. These translucent plates are a slip-casting marvel but not nearly as impossible to make as you would think. Now think even thinner porcelain and you have the plates of Christina Bryer. Pottery Making Illustrated Submission Guidelines.Pottery Making Illustrated's Print Mailing Schedule.Ceramics Monthly's Print Mailing Schedule.Workhouse Clay International ICAN Merit Award.ICAN Making a Difference in Ceramics Award.

Annual National K-12 Ceramic Exhibition Award.

Completed works should be sealed with decoupage medium or a quality topcoat. The irregular edge of the rice paper is really easy to hide on the surface of decorated pieces. When working with decoupage rice paper, the images should be torn away from the paper and not cut with scissors. We take pride in offering AB Studio decoupage papers as they offer a wide selection of unique designs with vibrant colors that do not fade or wash off when they come in contact with glue. Some decoupage rice papers have fibers that are visible, but these do not affect the decoupage medium and are part of an original look.ĪB Studio decoupage rice papers can also be used for scrapbooking, card making, collage, paper crafting, junk journaling, mixed media creations and much more. The paper will hold firmly to the project surface when using a decoupage medium. Apply a thin layer of decoupage medium on top of the paper. Apply just a little decoupage medium to your piece and then apply the decoupage paper. Decoupage rice paper by AB Studio is thin and very durable, yet it is also flexible and easy to apply to any surface without visible wrinkles.

Rice paper is a great material for beginners because it is translucent, elastic, and delicate to the touch. If you use sandpaper, be careful not to ruin the pattern as it is delicate. Using other background colors will make it less visible. It is recommended to use a white or light colored background color for the paper to be vibrant. Remember that a high gloss varnish will enhance the colors. You can use various kinds of mediums or varnish to adhere the decoupage rice paper, however we strongly recommend a quality decoupage medium such as Paint Couture Decoupage Medium Matte or Paint Couture Decoupage Medium Shine for use on any of the AB Studio decoupage papers. The beautiful colors printed on the decoupage rice paper will enhance your project. This decoupage rice paper from AB Studio is stunning and delicate to the touch. Blue Rose Pattern with Lace Decoupage Rice Paper A4 Item No.